"That you had had a long talk with me, without seeing your mother at all?" "I watch her, I count on her: how can I do anything else? If I count on her to let me definitely know how we stand, I do nothing in life but what she herself has led straight up to. I never thought of asking you to 'get rid of her' for me, and I never would have spoken to you if I hadn't held that I am rid of her, that she has backed out of the whole thing. Didn't she do so from the moment she began to put it off? I had already applied for the license; the very invitations were half addressed. Who but she, all of a sudden, demanded an unnatural wait? It was none of my doing; I had never dreamed of anything but coming up to the scratch." Owen grew more and more lucid, and more confident of the effect of his lucidity. "She called it 'taking a stand,' to see what mother would do. I told her mother would do what I would make her do; and to that she replied that she would like to see me make her first. I said I would arrange that everything should be all right, and she said she really preferred to arrange it herself. It was a flat refusal to trust me in the smallest degree. Why then had she pretended so tremendously to care for me? And of course, at present," said Owen, "she trusts me, if possible, still less."!

This made his companion thoughtful again. "Can you take such pleasure in her being 'finished'—a poor girl you've once loved?" Wandering through clear chambers where the general effect made preferences almost as impossible as if they had been shocks, pausing at open doors where vistas were long and bland, she would, even if she had not already known, have discovered for herself that Poynton was the record of a life. It was written in great syllables of color and form, the tongues of other countries and the hands of rare artists. It was all France and Italy, with their ages composed to rest. For England you looked out of old windows—it was England that was the wide embrace. While outside, on the low terraces, she contradicted gardeners and refined on nature, Mrs. Gereth left her guest to finger fondly the brasses that Louis Quinze might have thumbed, to sit with Venetian velvets just held in a loving palm, to hang over cases of enamels and pass and repass before cabinets. There were not many pictures—the panels and the stuffs were themselves the picture; and in all the great wainscoted house there was not an inch of pasted paper. What struck Fleda most in it was the high pride of her friend's taste, a fine arrogance, a sense of style which, however amused and amusing, never compromised nor stooped. She felt indeed, as this lady had intimated to her that she would, both a respect and a compassion that she had not known before; the vision of the coming surrender filled her with an equal pain. To give it all up, to die to it—that thought ached in her breast. She herself could imagine clinging there with a closeness separate from dignity. To have created such a place was to have had dignity enough; when there was a question of defending it the fiercest attitude was the right one. After so intense a taking of possession she too was to give it up; for she reflected that if Mrs. Gereth's remaining there would have offered her a sort of future—stretching away in safe years on the other side of a gulf—the advent of the others could only be, by the same law, a great vague menace, the ruffling of a still water. Such were the emotions of a hungry girl whose sensibility was almost as great as her opportunities for comparison had been small. The museums had done something for her, but nature had done more.

"Should I love him for all he has made you suffer?" "I'm only thinking she'll be impatient—I mean, you know, to learn what will have passed between us." "Deuce take you, no! To what we don't, you know, by your wish, ever talk about."